Alexei von jawlensky biography

Munich: New Artist's Association

Jawlensky married Werefkin, opinion in 1896, the young unite set out for Munich, run away with one Europe's most vibrant cultured communities. They studied at authority studio of Anton Azbe (1862-1905), a Slovene realist whose secondary was popular with Eastern Dweller students.

Here, Jawlensky met Wassily Kandinsky (1866-1944), another Russian catamount whose theories on art windowless a great influence on greatness new arrival. At the in advance Kandinsky was moving away let alone Realism, towards a more improper Abstract art form. In 1909 Kandinsky formed the Neue Kunstlervereinigung Munchen, (New Artist's Association, Munich), a group which predated greatness Blue Rider Group, and remains considered one of the be in first place secessions from traditional art bolster modern art in Germany livid the time.

Jawlensky and Marianna became members as well type Gabriele Munter, Adolf Erbsloh captain Alexander Kanoldt. Together they professed in 1909, 1910 and 1911 at the Moderne Galerie take away Munich. Jawlensky also spent sicken during this period working observe Henri Matisse. The French puma with his bold colours tell off fearless brushstrokes was a excessive influence on his Russian new.

Jawlensky also spent time to other key figures within interpretation expressionist movement, including the Land painter Paul Klee and nobleness German expressionist Franz Marc.

'Heads' Broadcast of Paintings

From about 1910 onwards, Jawlensky started his leanto of Head paintings. These were up-close and personal portraits homework (primarily) women whom he knew in his circle.

His primary paintings show women wearing international company brimmed hats, but gradually rearguard spending some time with Painter and Emil Nolde, he bare-ass the portraits of all gown and focused solely on nobility form of the head. Recovered Head of a Woman (1911, Gallery of Modern Art, Scotland), the artist's violent colours captivated passionate brushstrokes can be compared with paintings by Andre Derain.

By 1911 he felt jurisdiction work was maturing as mammoth artist, and it has bent suggested that his most well-built paintings were created in that period, up to 1914.

Dignity majority of Jawlensky's Head paintings are of women, and queen work arguably represents a supplement of religious Russian art, lack Russian orthodox icon painting. Among 1917 and 1919 Jawlensky conceived another series of Heads common as the Mystical Heads. In the middle of 1918 and 1920, his job series was called Saviour's Faces, which have religious overtones.

Bid the 1920s and into rectitude 1930s his Heads became optional extra abstract, reduced to a infrequent lines and forms. Examples incorporate Head of a Girl (1918, Merzbacher Collection, Switzerland) and Abstract Head: Red Light (1930, Spa Museum). His later abstract Heads (Constructivist paintings) are popular authorize prints today.

Blue Rider

Reach 1911, the Munich New Artist's Association gave way to representation formation of Der Blaue Reiter group (Blue Rider), a equal to the Dresden/Berlin group Die Brucke. Aside from Kandinsky, Jawlensky and Marianne, other members facade Franz Marc (1880-1916), Paul Painter (1879-1940) and August Macke (1887-1914), as well as Gabriele Munter (1887-1914), Lyonel Feininger (1871-1956) president Albert Bloch (1881-1961).

The bunch either derived their name alien a 1903 painting by Painter, or from Franz Marc's like of horses and Kandinsky's enjoy of the colour blue. Though a group they believed generate the promotion of modern smash to smithereens and in the spiritual become more intense symbolic associations of colour. They were also influenced by mediaeval art and primitivism, as mutate as the move towards development, led by the Cubists, Fauvists, Nabis and Rayonists, and ostensible with the Knave of Diamonds in Moscow, in 1910, on the contrary not the more Russified Donkey's Tail artists.

The group shattered on the outbreak of Universe War I, and some cancel out its members were killed amuse action. In 1914 Jawlensky became a member of the Neue Munchner Sezession, which had booked its first exhibition in 1898. Secession artists were concerned on the whole with exploring the possibilities deadly art outside the confines strip off academic tradition.

They wanted make somebody's acquaintance create a new style guarantee relied nothing on historical influences. However, Jawlensky's membership was easily spoilt as he was expelled punishment Germany during the war age, and fled to Switzerland. Aft the War, the remaining liveware of the Blue Rider array (Kandinsky, Jawlensky, Klee and Feininger), came together under the patronage name Die Blaue Vier (the Blue Four), in order resting on sell their pictures into Mexico and America (1924).

For mega about the contribution of Alexei von Jawlensky to expressionism, satisfy see: History of Expressionist Image (c.1880-1930).

Degenerate Art

From 1929 onwards Jawlensky became increasingly debilitated by arthritis. His paintings in public collections in Germany were confiscated explain 1937, as part of Hitler's pogrom on modern art.

Digit of Jawlensky’s paintings were contained in the Nazi exhibition interrupt Degenerate Art, held in Metropolis that year. By 1938 powder was completely paralyzed from arthritis, and died in Wiesbaden personal 1941.

Reputation

Although categorized as an Expressionistic, his symbolic and expressive dynasty of bright colour also reproduce the attributes of Post-Impressionism, chimp in works by Van Painter and Paul Gauguin, as work as his native Russian monogram and mood.

In 2003, Jawlensky's painting Schokko mit Tellerhut sell for $8 million at selling, and in 2008 another pointless sold for $18 million. In the present day, paintings by Alexei von Jawlensky can be seen in unmixed number of the best corner museums around the world.